To celebrate Black History Month, Redbrick's Music Critics came together to write about some of the Black artists that they believe have made, and are making, substantial and noteworthy contributions to the music industry

Music Critic Ben Forsdick reviews Napalm Death's enjoyable new album arguing that the fathers of grindcore have not lost their touch, releasing a record which is sure to please fans

In advance of its 25th anniversary, Music Critic Ben Forsdick writes his praise of Liquid Swords, a standout '90s release from GZA

Everything Everything's latest release is a combination of good ideas and intentions with mixed results which may fail to please many of their existing fans Music Critic Ben Forsdick argues

We ask the Redbrick Music critics for the best and worst covers of all time and receive some stunning entries and some which are truly painful to the ear

Music Critic Benjamin Forsdick reviews IDLES' live stream concert, weighing up the pros and cons that ultimately make it a good next-best-thing, but ultimately no substitute for a live gig

Music Critic Ben Forsdick argues that Bright Eyes' newest album fails to live up to their previous works as the band dilute their unique sound and move away from what they do best

A heavy, brooding, and terrifying album, Primitive Man have managed to progress their sound while remaining as brutal as any metal band in the business on their new album, Music Critic Benjamin Forsdick reviews

Music Critic Benjamin Forsdick reviews The Microphones' newest release, a 44 minute composition, which despite appealing largely to existing fans is a fantastic piece of creative work