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  • Review: Waves

    Film Editor Matt Taylor falls head over heels for Waves, a gorgeous, sweeping tale of love and loss from acclaimed director Trey Edward Shults

  • Review: 1917

    Film Critic Rhys Lloyd-Jones is blown away by the beauty and bombast of Sam Mendes' war epic 1917, yet finds the Oscar-hopeful limited by its own design

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    Guy Ritchie's latest marks a mostly-magnificent, if slightly problematic, return to form for the auteur director, says Film Critic Ellie Burridge

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    Film Critic Peri Cimen is overjoyed and heartwarmed by the return of Kevin Smith and his usual cast of characters, admitting that it may not be for everyone, but is an absolute joy for fans of his films

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    Film Critic Christopher Hall is impressed by the lifelike depiction of Lucian Freud's art on screen, but finds it lacking in engagement and style

  • Review: Weathering With You

    Film Editor Todd Waugh Ambridge's opinion of Makoto Shinkai's latest film is not clouded by the success of its predecessor Your Name, as he hails Weathering With You's shining vision

  • Multi-Review: Little Women (2019)

    Redbrick Film Critics have nothing but praise for Greta Gerwig's latest film Little Women, the seventh adaptation of Louisa May Alcott's iconic novel

  • Multi-Review: Star Wars: The Rise of Skywalker

    As JJ Abrams and Disney bring their Star Wars sequel trilogy to a close, Redbrick Film Critics check out The Rise of Skywalker - the conclusion to the Skywalker Saga

  • Review: Jumanji: The Next Level

    As The Next Level swings into cinemas, Film Critic Antonio Aguila checks out the latest instalment in the unexpected Jumanji trilogy

  • Review: Marriage Story

    Film Critic Sam Denyer is thoroughly impressed by Noah Baumbach's latest, celebrating the honest and thoughtful depiction of a couple in divorce

  • Review: The Good Liar

    Film Critic Harry Taylor is impressed by McKellen and Mirren at the top of their games, yet is puzzled by the knotty script, and is lost in the plot's twisting and turning labyrinth

  • Review: Knives Out

    Film Editor Samuel Zucca finds Rian Johnson's latest flick to be a cut above, and argues that the writer-director makes great use of pen and camera, in favour of the sword

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