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  • Album Review: The Neighbourhood – (((((ultraSOUND)))))

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  • Album Review: Dogsbody – Model/Actriz

    Music Critic Devin Birse reviews Model/Actriz's debut album Dogsbody, which has a tender heart amidst the noisiness.

  • Single Review: Die 4 Me – Halsey

    Music Critic Hannah Gadd review Halsey's latest single 'Die 4 Me', praising her passionate and powerful lyrics.

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    Music Critic Olivia Lavelle gives her thoughts on her essential album choice Strange Times by The Chameleons, describing it as 'an album of exceptional musical and lyrical creativity'

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    Film Editor James Evenden reviews I Prevail’s show, praising their unrelenting intensity and control of the chaotic audience

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    Music Critic Luke Cookson praises We Are Scientists for their exceptional performance and infectious energy

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    Music Critic Sammy Andrews reviews Paramore’s first album in 5 years and praises it for being a perfect innovative comeback album

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    Music Critic Nicole Haynes reviews Arlo Parks' latest single 'Impurities', praising Parks' gentle sound which we can expect on her next album

  • Live Review: Sleeping with Sirens

    Music Critic Rosie Rivers reviews the Sleeping with Sirens show at the O2 Academy Birmingham on the 14th March, describing it as 'an amazing night and invigorating display of enthusiasm'

  • Live Review: Loyle Carner

    Music Critic Sadie Iddenden reviews Loyle Carner's O2 Academy Birmingham show on the 8th March, describing Carner as 'never disappointing his fans'

  • Album Review: Gorillaz – Cracker Island

    Film Editor Jess Parker reviews Gorillaz new album Cracker Island, describing it as 'a strong entry amongst Gorillaz’s already critically-acclaimed discography'

  • Album Review: Samia – Honey

    Music Critic Isabelle Porter reviews Samia's latest album Honey, describing it as 'an anecdotal journey teeming with visceral reflections and catchy melodies'

  • Live Review: The Backseat Lovers

    Music Critic Polly Watton reviews The Backseat Lovers gig at the O2 Academy Birmingham on the 9th March, describing it as 'a humble yet incredible performance'

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