Although inferior to his previous albums, Mouth Dreams by Neil Cicierega creates new experiences out of the familiar, Film Editor Samuel Zucca reviews

Elvis Costello's new album is a scatter gun of styles united by the central theme of the movement of time in contrast to the timeless nature of Costello's music Music Editor Robbie Hawken writes

Music Critic Sammy Andrews investigates how we currently value music, looking into the Keep Music Alive campaign and the challenging issue of streaming royalties

Dark, brutal and terrifying in equal measure, Music Critic Ben Forsdick reviews experimental hip hop trio's killer return to horrorcore

Paloma Faith's single 'Gold' is a energetic celebration of life that emphasises positivity and community Music Critic Lizzie Faircliff writes

Music Critic Emily Wallace reviews Ashton Irwin's first solo album which is a deeply personal record that features an uplifting message of hope to comfort listeners

Sam Smith's latest album is a collection of raw and emotional songs which make for a good listen but are nothing new for the singer Music Critic Aimee Sargeant argues

Sufjan Steven's newest album, a huge 80 minute record, demonstrates the songwriter's intricate instrumental skills leading to an enjoyable and pleasing listen argues Music Critic Ben Forsdick

Although disappointed by new single 'Hear Me Out,' there is solace to be found in Pixies' cover of T-Rex's 'Mambo Sun,' Music Critic Emma Gardner reviews

Music Critic Emily Wallace attends Maisie Peter's latest press conference in which she showcases her latest single and discusses student radio, her inspirations, the music industry and more

Redbrick's Deputy Editor Daisy Kirkaldy considers the effects of going TikTok-viral on new music releases, and where this trend might have stemmed from

Music Critic Samuel Fisher reviews mini-album, Always In My Head by APRE, describing it as the record that will carry you through lockdown and the winter ahead